Mara Superior, “Vermont View”, 2005, 14.5 x 19.5 x 1.5″, high-fired porcelain, ceramic oxides, underglaze, glaze, wood frame, paint, gold leaf. Bennington Museum of Art (2019. 1.1).
Mara Superior, “Vermont View”, 2005, 14.5 x 19.5 x 1.5″, high-fired porcelain, ceramic oxides, underglaze, glaze, wood frame, paint, gold leaf. Bennington Museum of Art (2019. 1.1).
Mara Superior, “Vermont View”, 2005, 14.5 x 19.5 x 1.5″, high-fired porcelain, ceramic oxides, underglaze, glaze, wood frame, paint, gold leaf. Bennington Museum of Art (2019. 1.1).
Mara Superior, “Allure, A Dream House”, 1996, 15.5 x 22 x 7″, high-fired porcelain, ceramic oxides, underglaze, glaze, faux marble paint, wood, brass pins. Bennington Museum of Art (2019.1.3.a-c).
Mara Superior, “Allure, A Dream House”, 1996, 15.5 x 22 x 7″, high-fired porcelain, ceramic oxides, underglaze, glaze, faux marble paint, wood, brass pins. Bennington Museum of Art (2019.1.3.a-c).
Mara Superior, “Allure, A Dream House”, 1996, 15.5 x 22 x 7″, high-fired porcelain, ceramic oxides, underglaze, glaze, faux marble paint, wood, brass pins. Bennington Museum of Art (2019.1.3.a-c).
Mara Superior, “A Landscape/A Cow”, 1985, 12 x 8 x 3″, high-fired porcelain, ceramic oxides, underglaze, glaze. Bennington Museum of Art (2019.1.2).
Mara Superior, “A Landscape/A Cow”, 1985, 12 x 8 x 3″, high-fired porcelain, ceramic oxides, underglaze, glaze. Bennington Museum of Art (2019.1.2).
Mara Superior, “A Landscape/A Cow”, 1985, 12 x 8 x 3″, high-fired porcelain, ceramic oxides, underglaze, glaze. Bennington Museum of Art (2019.1.2).